As I get ready to go out for a quick jaunt around the neighborhood before dark, it's not hard to see the houses that have big screen TV's in the living room as they are directly evident if the windows are open, or providing that tell tale glare of light through the curtains. For many people, the TV is on as soon as they walk in the door, People come home, turn on the television, turn on the video games, draw the blinds, their view of the world that which comes through on the TV, losing imperceptibly their sense of the outside, of the world beyond a news anchor.
If someone walked past our porch at night, they'd see no such light. For we don't have a big screen TV. We don't have a TV at all, but for a small one in the in basement where we can get the weather with an antenna on the roof if we're down there due to Mr. Tornado. If we want to watch a favorite show we have boxed sets, (cheaper than cable) from which to pick, watching on the computer monitor that can be turned to face the cozy futon in the office. Even that is something we only do on some weekends.
I'm fine with my smaller, older home. But anyone curious or casing this place to rob it would see hardwood floors, restored antique furniture, lots of leaded and stained glass and a Victrola, my service revolver in the nightstand and a few vintage LEO pistols of generation's past carefully locked up in the safe.
I've had a couple casual acquaintances look at the sagging porch that needs to be redone, the antiquated kitchen and a sun porch that makes the Green Acres house look upscale and make a subtlety snarky comment about it. They're not invited back. It's a work in progress, the whole house being a restoration project, much of the work on things you won't see on the surface. I look at it differently, I guess. I don't see what still needs to be done. I see what HAS been done.
I think it is the latter. Getting to middle age is is some way, like surviving a war. There are false truces and negotiations, retreat and reconciliation, triumph and treachery. In the end, if you are lucky, there is peace, your warrior's medals and ribbons being internal, only recognized when you look into the mirror and see those first lines around your eyes and smile because you know that despite it all, your sustained breath is its own little victory.
So tonight, I'll take a jog down through the village across the railroad tracks and down past the old church. In the small graveyard there stands upon a grave site, a stone angel, her shadow painting a canvas of dimming light as I move past. She is a melancholy spirit, crafted in another century, her eyes closed as if in prayer, her mouth open as if she turned to stone in the moment she uttered her life's final secret. Around the grave there is a garland of living flowers, grown wild, even as the rest of the small graveyard fades to dust, flowers reaching for one last bit of sun, there amidst the silent stones, the histories that live on in this place.
How many now, truly possess that which holds weight and value, something that when viewed, when held, lights up the eyes with the triumphs of all risks and renunciations. Or have we become a society of the easy and disposable, be it a product, a relationship, or worse, even a life?
As the sky begins to spit snow again, I hurry home, but not before lifting my closed eyes up to heaven, mouth open, catching flakes of snow on my tongue, a self-communion of one, as I say a blessed thanks for a long safe travel through life.
As I approach our house, the light dimming, I see the glow of the television sets in other homes, an unearthly artificial glow, as canned laughter seeps out of an open window. As I arrive home, climbing up the tired stairs unto the large porch, there is light inside from the wall sconces, rewired but decades old, bright as a spark, significant of human shelter and repose. As the key rattles in the door, there is a soft woof of an old Rescue Lab, her grey muzzle snooting me happily as I enter the house
A burglar casing the place would look through the front window and shake their head, seeing little for which they would give value. I look inside and see the riches of a strong house that shelters me with vigilant accord. It has stood for a hundred years, with an air of history and invincible possession, which will remain, long after I am gone.
I set my keys near the Victrola and my husband's Fedora. As he calls out a greeting from the kitchen, I pat Abby the Lab on the head, looking at the small precious things that have been rescued and now live here, grateful for eyes that finally learned to see.
- Author L.B. Johnson (otherwise known as Brigid)